1. |
Ten Fingers
07:40
|
|
||
|
The same ten fingers snake the cords
as wormed around the first late night.
remember: we couldn't find her, we thought she'd died.
Nothing behind the black doorway
but the deafening whir of the swamp.
The same ten fingers thread the tape
as knotted up the first late night
remember: we couldn't find her, we searched the whole house.
Gaze out on the beasts and insects
The cuticles crack and blood comes.
The same ten fingers flick the switch
as shorted out the first late night
Below the dull red eyes on the radio tower,
dim lights swing low over eutrophic water.
I've got the headphones on, the gains are high,
the microphones are out the window – live air –
The hands age quietly before you
like dissolute older cousins.
The same ten fingers print to tape
as paw the filthy, teeming world.
remember: there's no erasure and nothing heals.
The fingers will do their own work whenever the swamp is burning.
|
||||
2. |
Bethlehem Watcher
04:35
|
|
||
|
Tom o' Bedlam, sleep in your vitrine
Nights are long here and the days are lean.
I'll be whistling in the stairwell,
you will never leave your cell.
Past the workhouse, lightly past the prison,
I'll be whistling when the sun has risen.
Tom, for better, Tom for worse,
There's a penny in my purse.
The moon came in between three and four,
rolled across the gritty floor,
bared its teeth like a carnivore
and gnawed the knob off old Tom's door.
Six of seven all the world forgets you,
Come the Sabbath, the public eye besets you.
Tom, for better, Tom for worse,
There's a penny in my purse
|
||||
3. |
Tiny Sonographic Heart
01:03
|
|
||
4. |
Come Back Tomorrow
06:54
|
|
||
|
Chicken Neck, was my life a dirty joke?
I was stiff as a rod and then I broke,
and I thank you for this shithole out behind
the lumber yard that smells of sawdust,
freezing rain and woodsmoke.
If you think there’ll be justice in the end
you’re an asshole, but it’s good to have a friend.
You know I built that house with my own hands
and she went and changed the locks.
Semper Fi: on my brothers I depend.
My lungs feel like a swamp
I cannot breathe, I cannot move,
but you can shove your hospital,
I’m not going to improve.
Come back tomorrow.
No one’s faithful and no one’s immune.
Light cigarette on the smoldering moon.
That’s all right.
We had a fire on the lake in the midwinter
–the dogs were snapping at the sparks–
when the girls were very young and kept overstepping
the trembling armspan of the light.
Won’t you go home to your family, Chicken Neck,
and take your throne.
Every thing I’ve ever finished in this life
I’ve done alone.
Come back tomorrow.
We were stationed in some godforsaken slough.
The Sargent caught a gator there somehow
and he sat us down all in a line and he let that fucker go.
At rope’s end it was inches from my brow.
Don’t you let my fire go all rosy-
rosy in your head,
You’re not worthy of respect if you can’t
speak ill of the dead.
Come back tomorrow.
No one’s faithful and no one’s immune.
Light cigarette on the smoldering moon.
That’s all right.
|
||||
5. |
|
|||
|
Flexing,
little algorithm of life-stuff,
almost not there
but tapping, papery
at the lampshade—
yes, yes, yes—one wing
singed at the tip probably,
so you reiterate,
compassing the problem,
zeroing unawares,
but in.
|
||||
6. |
|
|||
7. |
Fixture
05:38
|
|
||
|
I don't come home in daylight anymore
but slip in while everyone is sleeping and steal
a few bananas. When I have done this I've
found the kitchen light left blazing, and all
the streets snowed under.
There’s something alive and very small
clinging absently to the wall.
It’s lived an age beyond its season,
too old to move, to drunk to reason.
Pour yourself another drink,
climb up there astride the sink,
hold the fixture, take a knife,
scrape the dead bugs from the light.
Any more the snow forecloses.
|
||||
8. |
Furnace
01:11
|
|
||
9. |
Salt Moon
03:17
|
|
||
10. |
Down Below
04:31
|
|
||
|
Night slams shut on Concord,
the poet's come undone.
He hasn't written anything
since burying his son.
Easter waters fell on April
but August brought a drought
and a famished mind is screaming
"time to get the shovel out."
Come a need to know - take it down below.
Jesus broadcasts sermons
from a tower made of wood
but we can't hear him when we dig for ore,
the reception's not so good,
and if you happen down a certain shaft,
you may come upon a shrine.
You will see and hear and do things
but it doesn't leave the mine.
It's a whole other show going on down below.
The prison guards at Stanford
to their arbitrary shame
took one tiny dram of power
and forgot it was a game.
Like those sweating stiffs of Milgram's
dumped their burden on the king,
it takes so little to renege
on absolutely everything.
It takes a rock to say no and leave it down below.
I'd leave today for Mecca
if I thought I could complete the trip
but the surface of the human landscape
is like a moebius strip.
God was hungry when he got here.
He will be hungry when he leaves.
That gaping hole will swallow anything
a fever brain conceives.
Don't know where else you're going to go except down below.
|
||||
11. |
|
|||
|
[Genesis 8-22]
As long as the Earth lasts,
seedtime and harvest,
cold and heat,
Summer and winter,
and day and night
shall not cease.
|
||||
12. |
Familiar 2: Barred Owl
02:01
|
|
||
13. |
|
|||
Jack O' The Clock Oakland, California
JACK O' THE CLOCK "presents a fine lesson on what it means to write songs that are at once approachable and human while simultaneously being incredibly profound in terms of timbre, depth of emotion, and harmonic complexity," Progulator.
If you like Jack O' The Clock, you may also like:
Leaving California
by Jack O' the Clock
supported by 23 fans who also own “Night Loops”
Once again, Jack O' the Clock manages the near-impossible task of balancing folk and avant-garde. Impressive. One of my favourite bands these days. Hopefully, more people will discover this modern gem.
go to album
Shiny Eyed Babies
by Bent Knee
supported by 19 fans who also own “Night Loops”
Bent Knee is the most unconventional and collectively talented band on the road today. Separately, they are monsters at their musical crafts; collectively they are more advanced than what much of the listening public can even fathom.
go to album
Say So
by Bent Knee
supported by 17 fans who also own “Night Loops”
This album is truly one of the best rock albums of this era. This is a 10/10 album and everyone should listen to it. The track Good Girl is my personal favorite. It has beautiful instrumentals, fantastic and thought provoking lyrics and the vocals are heavenly as usual. My second favorite is Black Tar Water. It is such a moving track.
go to album
Ys
by Joanna Newsom
Joanna Newsom's 2006 opus "Ys" and tons more Drag City vinyl and cassettes are now available on Bandcamp.
go to album
No Branches Without Trees
by Steven van Betten & Andrew Rowan
Tender acoustic songs built on folk & guitar intermingle with field recordings from the small town of Blue Diamond, Nevada.
go to album
So Romantic
by Allie Crow Buckley
L.A.’s Allie Crow Buckley comes to Bandcamp, with moody songs that combine R&B with Laurel Canyon in the ’70s.
go to album
Edit Peptide
by Bubblemath
supported by 17 fans who also own “Night Loops”
And yet another gem that had vanished down the wishing line, er, list, saved by yet another Cuneiform weekend special. Thanks again, guys! A cornucopia of avantgarde rock, not from the Big Prog Gloomy Mountain side of things but full of hooks, energy and humour. Very glad not to have missed this! :-))
go to album
