Jack O' The Clock Oakland, California
JACK O' THE CLOCK "presents a fine lesson on what it means to write songs that are at once approachable and human while simultaneously being incredibly profound in terms of timbre, depth of emotion, and harmonic complexity," Progulator.
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Leaving California
by Jack O' the Clock
supported by 32 fans who also own “Bus Station”
This rather astounding record can't really be categorized - musically, it's so full of everything and so original that a short description is impossible. It is superbly played. The words are FANTASTIC and I would have chosen The Butcher as my favourite if the app had allowed me to ;-)
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supported by 20 fans who also own “Bus Station”
Always love musick and art coming out of Brattleboro VT but this really spun my head around, love the crazy atonal indie folk vibes! Bought a CD, can’t wait to hear it on my car speakers!
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Imaginary Mountains
by Ghost Rhythms
supported by 18 fans who also own “Bus Station”
No one does music quite like Camille and Xavier do. I see their music as being akin to soundtracks for unfilmed movies. In this instance it is a movie about explorers of mountainous terrain, perhaps the terrain of our lives. Merci pour cette musique si intrigante. :-)
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Sparkling and knotty indie rock from this Australian group with interlocking guitars and shifting rhythms.
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UK singer-songwriter Alex Pester perfects his homespun baroque pop on an vast, largely home-recorded LP that finds elegance in simplicity.
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Siren/Zero Double EP
by Obscura Hail
Juggling art rock, chamber folk, and bedroom pop, Obscura Hail's double EP charts vast stylistic terrain with confidence and ease.
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supported by 18 fans who also own “Bus Station”
The new live EP by Ryan W. Stevenson's project reminded me, that this debut album must have been gone down the wishlist... If instrumental Canterbury stuff is your thing, this should be a no-brainer. Firmly rooted in the past (late 60s, 70s), nevertheless with a fresh sound. Guests incude The Tangent's Andy Tillison and Soft Machine's Theo Travis.
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